Alister’s says, “We talked a lot about the ways that I approach a live action set and how I split lighting the background with the foreground subject. These rules can easily be translated into lighting a miniature. We also talked about how the lighting of a scene is governed by the light that we have least control of ... in my case that is the ambient light of a location, in their specific case it is governed by the light of the LEDs which have a limited maximum brightness. We also looked at when having a light source in shot (The Orrary) it is also essential to have supplementary lights to mimic the effect of the light on the rest of the set.
Further information about the art of cinematography from Alistair Mckenzie can be found on the Duchy Parade Film’s website here.
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